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<channel>
	<title>Alliance of Women Film Journalists</title>
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	<link>http://awfj.org</link>
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	<pubDate>Tue, 31 Jan 2012 18:52:31 +0000</pubDate>
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		<title>An Oscar For Jack (Uggie) Russell? - Commentary by Julide Tanriverdi</title>
		<link>http://awfj.org/2012/01/27/an-oscar-for-jack-uggie-russell-commentary-by-julide-tanriverde/</link>
		<comments>http://awfj.org/2012/01/27/an-oscar-for-jack-uggie-russell-commentary-by-julide-tanriverde/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 18:15:30 +0000</pubDate>
		<dc:creator>Julide Tanriverdi</dc:creator>
		
		<category><![CDATA[Commentaries]]></category>

		<category><![CDATA[General Archives]]></category>

		<category><![CDATA[Women on Film]]></category>

		<category><![CDATA[dogs in movies]]></category>

		<category><![CDATA[julide tanriverdi]]></category>

		<category><![CDATA[the artist]]></category>

		<guid isPermaLink="false">http://awfj.org/?p=7132</guid>
		<description><![CDATA[These days the best actors have four legs and the shiny fur of a Jack Russell terrier! 
The star of The Artist has cute eyes, a lovely smile and Hollywood adores him: Uggie the dog!
Just google his name and it will show what momentum this adorable Jack Russell Terrier has these days (including a backlash [...]]]></description>
			<content:encoded><![CDATA[<p>These days the best actors have four legs and the shiny fur of a Jack Russell terrier! <span id="more-7132"></span></p>
<p>The star of <em>The Artist</em> has cute eyes, a lovely smile and Hollywood adores him: Uggie the dog!
<p>Just google his name and it will show what momentum this adorable Jack Russell Terrier has these days (including a backlash that some critics say, he is overacting). Jean Dujardin, his companion in the movie, might get all the (human) awards but Uggie is certainly the one who melts the hearts – no matter whether he&#8217;s dazzling Ellen DeGeneres by playing dead on commanc on her show or claims his own trophy on the Red Carpet of the Golden Globes.
<p>The love for Uggie is a global phenomenon. When <em>The Artist</em> was first shown at the Cannes Film Festival, his performance was so impressive that some critics wrote that Uggie stole the show. It won him the Palme Dog Award, the canine version of the Palme D’Or. With a growing fan base worldwide it was inevitable that a Facebook/Twitter campaign called #ConsiderUggie was created to get him an Oscar nomination as Best Supporting Actor (their hopes were crushed when his name was left off the list).
<p>But not so fast – Uggie is not the only furry star to get praise.  Surprisingly, the competition is stiff in Hollywood – even for dogs.
<p>Cosmo, the Jack Russell Terrier from <em>Beginners</em>, is also geting a lot of attention (and let&#8217;s not even begin to talk about other breeds, because the German Shepherd in <em>Take Shelter</em> has great fans too). Ewan McGregor was so enchanted by his furry co-star that he actually adopted a poodle mix named Sid to be his own companion.
<p>“I was looking for a replacement for Cosmo because I couldn’t stand the idea of not having him around. I found my dog on the last day of the shoot. He is gorgeous and my little Cosmo replacement”, McGregor confessed (on an LA Times Blog).
<p> Cosmo plays Arthur in <em>Beginners</em> and shows an amazing emotional range. That’s why he&#8217;s up against Uggie for the Golden Collar Awards, the canine equivalent of the Oscars. Uggie is nominated twice – also for his performance as Queenie in <em>Water for Elephants</em>. Other competitors are Denver, the Greyhound from <em>50/50</em> and Hummer, the Pomeranian from <em>Young Adult</em> (see all <a href="http://www.thewrap.com/awards/column-post/uggie-who-else-top-dog-golden-collar-award-nominations-34549" target="new" onclick="javascript:urchinTracker ('/outbound/article/www.thewrap.com');">nominees</a>).
<p>The third most talked about Jack Russell Terrier is amazingly not even real. This might be surprising for anyone who has watched <em>The Adventures of Tintin </em>, since Snowy has such a huge role in the Spielberg movie.  But, Jamie Bell acted alongside a cardboard dog.
<p>The actor had this to say about acting without a real canine: “It’s a testament to the boys down at Weta Digital, because it’s the only fully animated character. But also amazing work from Steven Spielberg, who’s got to be able to think about something that isn’t there, even in composition shots.”
<p>Real or not, Snowy is cute and impressive.
<p>People love dogs and so does Hollywood – not only since the Lassie days. Let’s hope all this does not create an adoption surge for Jack Russell Terriers who then end up back at the pound due to their intense energy levels (which was the reason Uggie was put into a shelter in Florida by his family but then luckily was adopted by dog trainer Sarah Clifford). Because that’s exactly what happened when <a href="http://www.iloveasta.com/AllAbout.htm" target="new" onclick="javascript:urchinTracker ('/outbound/article/www.iloveasta.com');">Asta</a> appeared in the <em>Thin Man</em> detective series in the 30s. &#8212; people suddenly wanted a Jack Russell terrier. Not to forget Scraps from Charlie Chaplin’s masterpiece <a href="http://shibasenji.wordpress.com/2011/11/11/film-a-dogs-life-1918/: target="new" onclick="javascript:urchinTracker ('/outbound/article/shibasenji.wordpress.com');"><em>A Dog’s Life</em></a>. Scraps was was probably the first terrier who captured the hearts of moviegoers &#8212; back in 1918. He might have been a huge influence on Uggie.
<p> The director of <em>The Artist</em>, Michel Hazanavicius, sees huge potential for his four-legged star.
<p>“He was humble when I shot with him. But now he is a star and who knows, he might want to play other characters – like cats or horses.”
<p>Or maybe take on the role of an Oscar host - are you listening Billy Crystal???
<p>PS Cat people: Among the Oscar nominations are two animated movies for you – the delightful <em>A Cat in Paris</em> and the funny <em>Puss in Boots</em>. Purr-fect!</p>
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		<title>THE PRUITT-IGOE MYTH - Review by Jennifer Merin</title>
		<link>http://awfj.org/2012/01/24/the-pruitt-igoe-myth-review-by-jennifer-merin/</link>
		<comments>http://awfj.org/2012/01/24/the-pruitt-igoe-myth-review-by-jennifer-merin/#comments</comments>
		<pubDate>Tue, 24 Jan 2012 05:35:41 +0000</pubDate>
		<dc:creator>Jennifer Merin</dc:creator>
		
		<category><![CDATA[General Archives]]></category>

		<category><![CDATA[Reviews and Criticism]]></category>

		<category><![CDATA[Women on Film]]></category>

		<category><![CDATA[famous implosions]]></category>

		<category><![CDATA[inner city]]></category>

		<category><![CDATA[jennifer merin]]></category>

		<category><![CDATA[pruitt-igoe]]></category>

		<category><![CDATA[St. Louis]]></category>

		<category><![CDATA[urban documentaries]]></category>

		<guid isPermaLink="false">http://awfj.org/?p=7127</guid>
		<description><![CDATA[When St. Louis&#8217; Pruitt-Igoe housing project was built in 1954, it was deemed to be the cure for urban blight. Some 20 years later, the entire complex was declared an inner city housing disaster, and its of 33 eleven-story residential towers were famously imploded.  What went wrong?  ]]></description>
			<content:encoded><![CDATA[<p>When St. Louis&#8217; Pruitt-Igoe housing project was built in 1954, it was deemed to be the cure for urban blight. Some 20 years later, the entire complex was declared an inner city housing disaster, and its of 33 eleven-story residential towers were famously imploded.  What went wrong?  <a href=http://documentaries.about.com/od/revie2/fr/The-Pruitt-Igoe-Myth-Movie-Review-2011.htm">Read more>></a></p>
]]></content:encoded>
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		<title>HAYWIRE - Review by Ann Lewinson</title>
		<link>http://awfj.org/2012/01/21/haywire-review-by-ann-lewinson/</link>
		<comments>http://awfj.org/2012/01/21/haywire-review-by-ann-lewinson/#comments</comments>
		<pubDate>Sat, 21 Jan 2012 05:00:00 +0000</pubDate>
		<dc:creator>Ann Lewinson</dc:creator>
		
		<category><![CDATA[General Archives]]></category>

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		<category><![CDATA[haywire]]></category>

		<category><![CDATA[steven soderbergh]]></category>

		<guid isPermaLink="false">http://awfj.org/?p=7125</guid>
		<description><![CDATA[Steven Soderbergh&#8217;s latest &#8212; starring a women&#8217;s mixed martial arts champion &#8212; suggests that rumors of his retirement might not be premature. Read more>>
]]></description>
			<content:encoded><![CDATA[<p>Steven Soderbergh&#8217;s latest &#8212; starring a women&#8217;s mixed martial arts champion &#8212; suggests that rumors of his retirement might not be premature. <a href="http://www.kansascity.com/2012/01/19/3378188/haywire-what-the-hay-1-stars.html" target="new" onclick="javascript:urchinTracker ('/outbound/article/www.kansascity.com');">Read more>></a></p>
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		<title>HAYWIRE - Review by Susan Granger</title>
		<link>http://awfj.org/2012/01/20/haywire-review-by-susan-granger/</link>
		<comments>http://awfj.org/2012/01/20/haywire-review-by-susan-granger/#comments</comments>
		<pubDate>Sat, 21 Jan 2012 04:16:58 +0000</pubDate>
		<dc:creator>Susan Granger</dc:creator>
		
		<category><![CDATA[General Archives]]></category>

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		<category><![CDATA[gina carano]]></category>

		<category><![CDATA[haywire]]></category>

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		<category><![CDATA[women action heros]]></category>

		<guid isPermaLink="false">http://awfj.org/?p=7129</guid>
		<description><![CDATA[As the story goes, when director Steven Soderbergh was watching “American Gladiators” on television one evening, during a bout of women’s mixed martial arts fighting, he was so impressed by 29 year-old, raven-haired Gina Carano that he decided to develop a grim revenge thriller with screenwriter Lem Dobbs (“The Limey), casting Carano as a globetrotting [...]]]></description>
			<content:encoded><![CDATA[<p>As the story goes, when director Steven Soderbergh was watching “American Gladiators” on television one evening, during a bout of women’s mixed martial arts fighting, he was so impressed by 29 year-old, raven-haired Gina Carano that he decided to develop a grim revenge thriller with screenwriter Lem Dobbs (“The Limey), casting Carano as a globetrotting lethal operative.<span id="more-7129"></span></p>
<p>    Introduced in a prologue at a rural roadside diner in snowy upstate New York where she has a confrontation with Aaron (Channing Tatum), another hired assassin, Mallory Kane (Carano) is a freelance black-ops who seeks vengeance when she realizes that those whom she has trusted have double-crossed her, placing her life in jeopardy. Working for a shadowy, private sector agency run by her nerdy ex-boyfriend, Kenneth (Ewan McGregor), she’s sought after by a high-placed government operative named Coblenz (Michael Douglas). A specialist in international intrigue, Mallory’s previous covert assignment - to rescue a kidnapped Chinese dissident held hostage in Barcelona - went terribly wrong, as she relates to Scott (Michael Angarano), whose car she’s hijacked. Revealed in a flashback, that fiasco is somehow connected with a brawl in a Dublin hotel, where Mallory and a suspicious client, Kenneth (Michael Fassbender), decimate the furniture. So now, Mallory Kane is paranoid. Basically, the only person she trusts is her ex-Marine-turned-fiction writer dad (Bill Paxton), living in New Mexico.</p>
<p>    Although she has yet to develop her acting talent, certainly tough, strong Gina Carano’s physical presence puts her in a kick-ass warrior category with Uma Thurman (“Kill Bill”) and Angelina Jolie (“Lara Croft: Tomb Raider,” “Salt”). So instead of emoting, Carano excels in an inordinate number of action-packed street/alley chase sequences in which Soderbergh stylishly photographs Carano sprinting from a myriad of angles. Soderbergh has done this before, like when he cast porn star Sasha Grey as a New York call girl in “The Girlfriend Experience.” Yet it’s too bad there’s not even a shred of humor.</p>
<p>    On the Granger Movie Gauge of 1 to 10, “Haywire” is a fierce, ferocious 5, filled with relentless, kinetic, if senseless, violent mayhem.</p>
]]></content:encoded>
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		<title>2011 EDA Award Winners!</title>
		<link>http://awfj.org/2012/01/16/2011-eda-award-winners/</link>
		<comments>http://awfj.org/2012/01/16/2011-eda-award-winners/#comments</comments>
		<pubDate>Mon, 16 Jan 2012 07:04:57 +0000</pubDate>
		<dc:creator>Jennifer Merin</dc:creator>
		
		<category><![CDATA[General Archives]]></category>

		<category><![CDATA[News and Previews]]></category>

		<category><![CDATA[The EDA Awards]]></category>

		<category><![CDATA[2011 eda awards]]></category>

		<category><![CDATA[awfj women on film]]></category>

		<category><![CDATA[elizabeth olsen]]></category>

		<category><![CDATA[kristen wiig]]></category>

		<category><![CDATA[lynne ramsey]]></category>

		<category><![CDATA[meryl streep]]></category>

		<category><![CDATA[octavia spencer]]></category>

		<category><![CDATA[rooney mara]]></category>

		<category><![CDATA[saoirse rohan]]></category>

		<category><![CDATA[the artist]]></category>

		<category><![CDATA[viola davis]]></category>

		<guid isPermaLink="false">http://awfj.org/?p=7028</guid>
		<description><![CDATA[The Artist scores multiple 2011 EDA Awards, and there are top honors for Viola, Kristen, Jessica, Lynne, Rooney, Saoirse, Angelina and Beans, and for some mighty memorable men, as well.
Then, too, we present AWFJ’s unique Female Focus and Special Mention awards.  See whether you agree with our choice of the Most Memorable Moment, Best [...]]]></description>
			<content:encoded><![CDATA[<p><em>The Artist</em> scores multiple 2011 EDA Awards, and there are top honors for Viola, Kristen, Jessica, Lynne, Rooney, Saoirse, Angelina and Beans, and for some mighty memorable men, as well.
<p>Then, too, we present AWFJ’s unique Female Focus and Special Mention awards.  See whether you agree with our choice of the Most Memorable Moment, Best Nudity and Actress Most In Need of A New Agent!
<p>See the <a href="http://awfj.org/eda-awards/2011-eda-award-winners/" target="new" >list of winners.>></a></p>
]]></content:encoded>
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		<title>THE ARTIST - Review by Ann Lewinson</title>
		<link>http://awfj.org/2012/01/16/the-artist-review-by-ann-lewinson/</link>
		<comments>http://awfj.org/2012/01/16/the-artist-review-by-ann-lewinson/#comments</comments>
		<pubDate>Mon, 16 Jan 2012 06:20:45 +0000</pubDate>
		<dc:creator>Ann Lewinson</dc:creator>
		
		<category><![CDATA[General Archives]]></category>

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		<guid isPermaLink="false">http://awfj.org/?p=7068</guid>
		<description><![CDATA[This charming, if slight, homage to silent movies looks at a transitional era from the perspective of our own. Read more>>
]]></description>
			<content:encoded><![CDATA[<p>This charming, if slight, homage to silent movies looks at a transitional era from the perspective of our own. <a href="http://www.sfreporter.com/santafe/article-6507-the-pictures-got-loud.html" onclick="javascript:urchinTracker ('/outbound/article/www.sfreporter.com');">Read more>></a></p>
]]></content:encoded>
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		<title>THE ARTIST - Review by Alison Gang</title>
		<link>http://awfj.org/2012/01/16/the-artist-review-by-alison-gang/</link>
		<comments>http://awfj.org/2012/01/16/the-artist-review-by-alison-gang/#comments</comments>
		<pubDate>Mon, 16 Jan 2012 06:15:31 +0000</pubDate>
		<dc:creator>Alison Gang</dc:creator>
		
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		<category><![CDATA[silent movies]]></category>

		<category><![CDATA[the artist]]></category>

		<guid isPermaLink="false">http://awfj.org/?p=7056</guid>
		<description><![CDATA[I’ve heard some critics describe “The Artist,” a black-and-white silent film set in the 1920s, as “slight” and merely “a technical exercise.” While there may be some kernels of truth in these accusations, I still call it one of my favorite films of the year. Read more>>
]]></description>
			<content:encoded><![CDATA[<p>I’ve heard some critics describe “The Artist,” a black-and-white silent film set in the 1920s, as “slight” and merely “a technical exercise.” While there may be some kernels of truth in these accusations, I still call it one of my favorite films of the year. <a href="http://www.utsandiego.com/news/2011/dec/23/silence-is-golden/?page=1#article&#038;_r=true" target="new" onclick="javascript:urchinTracker ('/outbound/article/www.utsandiego.com');">Read more>></a></p>
]]></content:encoded>
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		<title>PINA - Review by Ann Lewinson</title>
		<link>http://awfj.org/2012/01/16/pina-review-by-ann-lewinson/</link>
		<comments>http://awfj.org/2012/01/16/pina-review-by-ann-lewinson/#comments</comments>
		<pubDate>Mon, 16 Jan 2012 06:15:24 +0000</pubDate>
		<dc:creator>Ann Lewinson</dc:creator>
		
		<category><![CDATA[General Archives]]></category>

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		<category><![CDATA[wim wenders]]></category>

		<guid isPermaLink="false">http://awfj.org/?p=7123</guid>
		<description><![CDATA[Wim Wender&#8217;s dynamic elegy to German choreographer Pina Bausch is a milestone in 3D filmmaking.
Read more>>
]]></description>
			<content:encoded><![CDATA[<p>Wim Wender&#8217;s dynamic elegy to German choreographer Pina Bausch is a milestone in 3D filmmaking.<br />
<a href="http://thephoenix.com/Boston/movies/132670-pina/" target"new" onclick="javascript:urchinTracker ('/outbound/article/thephoenix.com');">Read more>></a></p>
]]></content:encoded>
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		<title>PINA - Review by Jennifer Merin</title>
		<link>http://awfj.org/2012/01/16/pina-review-by-jennifer-merin/</link>
		<comments>http://awfj.org/2012/01/16/pina-review-by-jennifer-merin/#comments</comments>
		<pubDate>Mon, 16 Jan 2012 06:10:07 +0000</pubDate>
		<dc:creator>Jennifer Merin</dc:creator>
		
		<category><![CDATA[General Archives]]></category>

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		<category><![CDATA[dance films]]></category>

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		<guid isPermaLink="false">http://awfj.org/?p=7072</guid>
		<description><![CDATA[Shot by Wim Wenders in 3D, the film invites you to be among the dancers on the stage, to sense the spatial relationships between them, experience the extent and feel the dynamics of their movements, as they perform the ballets of the remarkable and beloved Pina Bausch. 
]]></description>
			<content:encoded><![CDATA[<p>Shot by Wim Wenders in 3D, the film invites you to be among the dancers on the stage, to sense the spatial relationships between them, experience the extent and feel the dynamics of their movements, as they perform the ballets of the remarkable and beloved Pina Bausch. <a href="http://documentaries.about.com/od/revie2/fr/Pina-Movie-Review-Of-Pina-2011.htm"></p>
]]></content:encoded>
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		<title>IN THE LAND OF BLOOD AND HONEY - Review by Susan Granger</title>
		<link>http://awfj.org/2012/01/16/in-the-land-of-blood-and-honey-review-by-susan-granger/</link>
		<comments>http://awfj.org/2012/01/16/in-the-land-of-blood-and-honey-review-by-susan-granger/#comments</comments>
		<pubDate>Mon, 16 Jan 2012 06:05:40 +0000</pubDate>
		<dc:creator>Susan Granger</dc:creator>
		
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		<guid isPermaLink="false">http://awfj.org/?p=7081</guid>
		<description><![CDATA[   Angelina Jolie acquits herself admirably as writer/director in this controversial, cross-cultural love story set amidst the ethnic cleansing and genocide in Bosnia and Herzegovina in the early 1990s:
    “I wanted to make a film that would express, in an artistic way, my frustrations with the international community’s failure to [...]]]></description>
			<content:encoded><![CDATA[<p>   Angelina Jolie acquits herself admirably as writer/director in this controversial, cross-cultural love story set amidst the ethnic cleansing and genocide in Bosnia and Herzegovina in the early 1990s:<span id="more-7081"></span></p>
<p>    “I wanted to make a film that would express, in an artistic way, my frustrations with the international community’s failure to intervene in conflicts in a timely and effective manner. I also wanted to explore and understand the Bosnian War, as well as broader issues, such as women in conflict, sexual violence, accountability for war crimes and crimes against humanity, and the challenge of reconciliation. It was the deadliest war in Europe since W.W. II, but sometimes people forget the terrible violence that happened in our time, in our generation, to our generation.”</p>
<p>    Danijel (Goran Kostic) is a blond, blue-eyed Bosian Serb policeman, serving under his brutish father, General Nebojsa Vukojevich (Rade Serbedzija), while dark-haired Ajla (Zana Marjanovic) is a Bosnian Muslim artist. Their romantic relationship is just blossoming before an explosion rocks the café in which they are dancing and violence erupts, separating them on opposite sides of the political conflict. While Danijel’s deeply conflicted, Ajla’s evicted from the apartment she shares with her sister, Lejla (Vanese Glodjo), and Lejla’s infant child – amid a barrage of vicious rapes and cold-blooded killings – and incarcerated in a military camp, where Danijel makes her his prisoner/mistress.</p>
<p>    Within this “Romeo and Juliet”-inspired romance, Jolie fails to provide any depth of understanding about the reasons for the war, preferring, instead, to rely on Gen. Vukojevich’s self-justifying explanation that Serbs stood up to Hitler and prevented the Turks from conquering Europe centuries ago, and it’s now their responsibility to prevent the Muslims from taking over. Instead, Jolie chronicles in grim, grisly, graphic detail the horrors committed by Serbs against Muslim neighbors. English-language news broadcasts clarify what’s occurring, while the rest of the film is in Bosnian/Croatian/Serbian.</p>
<p>    On the Granger Movie Gauge of 1 to 10, “In the Land of Blood and Honey” is a brutal 6, an impressively serious project from a humanitarian activist.</p>
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